Over time, wood became the central material in his work. Not only for its aesthetic qualities, but for its organic nature: it is almost impossible to find two identical boards of wood. Each one carries its own texture, grain and character. Almost like people.

 

In Igal’s eyes, wooden furniture and interior objects gradually became something far more personal than mass-produced products. They are not made quickly, or for constant replacement, but to remain alongside a person for many years — becoming part of the home, daily life and personal history.

 

As an Israeli, this feels especially close to him. In a place where everything is constantly in motion, and stability can often feel rare, he finds meaning in creating objects that bring a sense of permanence, warmth and connection to home.

 

His path later led him to Scotland, to the Chippendale School of Furniture — a place where woodworking is still rooted in respect for the material, attention to detail and the traditions of the craft.

It was there that his understanding of the bespoke philosophy fully took shape: an approach in which an object is created together with the person it is made for, with careful attention to their space, habits, feelings and way of life.

 

Today, Igal continues to create furniture and objects from that same perspective — with thought, care and deep respect for both material and person.